Mar 20, 2015

Content Modeling: a definition.

Content modeling is the process in which we determine where the content is coming from, the systems that manage it, who owns it, the operational considerations, and the structure of the content itself (metadata and taxonomies). Through this process, we are able to better identify standards, gaps, level of effort, and feasibility, providing the necessary inputs for content during the strategy, design and development process. Driving the content management foundation that enables a unified experience across devices and channels. With clients, you should be selling the value in the process of modeling itself, not just as a deliverable. How the process enables the technical and the design teams to operate more efficiently, vetting content challenges with the business early, enabling us to change or modify designs before they have been finalized. The process (and the deliverable) should never be static or siloed, working in this way provides little value to… Read More »

Aug 13, 2013

A data model named DITA

I’ve recently been exploring the DITA model/standard more heavily, pros and cons, and I’m sad to say I still don’t have a strong opinion for or against and here’s why: * To make ample use of DITA content creators need to learn new ways to author content to create the relationships and architecture in the content that makes DITA worthwhile to use. * To make ample use of DITA CMS systems need to be capable of accommodating this new architecture. * To make ample use of DITA tech expertise is necessary to understand how to develop for the model. * To make ample use of DITA organizations have to re-engineer their technical environments and internal processes. * Rahel Anne Bailie has a great article (part of a larger DITA series) on the above here: I like to think of myself as an extremely practical metadata/taxonomy professional. Therefore, when it… Read More »

Jul 10, 2013

Still holding, not selling: Dublin Core vs.

I was recently asked why I use Dublin Core, rather than, what follows is my response: The short version: In this field, you tend to be cautious about new standards. I think is now almost 3-years old – Dublin core is well, old enough to buy beer in some states. For some context on just how many standards there are for metadata have a look at this, I hope I won’t be visiting in this graveyard of possibilities: Glossary of Metadata Standards (Indiana University) The Long version: Often times, standard choice depends on the purpose. Let’s start by saying, we do not use Dublin Core in the expectation of it being implemented in that way (although it would be nice), we primarily use it to keep our descriptive metadata schema architectures stable when we are designing them. Database architects are free to chose what standard they would… Read More »

Mar 20, 2013

The Role of Digital Art History: Report by Samuel H. Kress Foundation

A colleague just pointed me in the direction of a new report out on Art History’s transition (or lack thereof) to digital, written by Diane M. Zorich, for the Samuel H. Kress Foundation. Her report seeks to gain a deeper understanding of why art historians feel such “ambivalence” toward digital art history. Zorich covers the limiting infrastructure of these domains to the impacts that the “new” digital publishing model is having against the age old, “publish or perish” model. This change to digital is one that Art Historians have been very reluctant to embrace (in some cases even hostile). Digital is just a “trend” afterall, right?


About me:

Nerdy things I blog about for other nerdy nerds: information strategy (metadata and taxonomies), content strategy, Digital Asset Management and Content Management (DAM/CMS), technology transitions, business process management, professional development, social media privacy, and usability.

I'm an ex-BMXer that loves metadata and taxonomies who spends her idle time picking locks, lurking 7chan, playing competitive soccer, wishing she was in an impromptu music video, or teaching people to ride a Segway at HOPE.